Line and Form
by Walter Crane
Publisher: G. Bell & Sons, Ltd. 1900
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design.
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by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.
by James Parton - Harper & brothers
In this book there is a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, are represented in it, as well as most of the names identified with art of this nature.
by Henry Blackburn - W. H. Allen & Co.
The object of 'The Art of Illustration' is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called 'process', on which so many artists are now engaged.
by Dorothy Furniss - Bridgman Publishers
We must think with the brush and the pencil; we must think first and then draw round our 'think'. I hope that this book may help you to arrange your thoughts. It is but a helping hand on the broad highway that leads to the great world of art.